Cinemalaya 13 : "Nabubulok" (2017) movie review

Last August 14, 2016, the ten finalists for Cinemalaya 2017 were announced at the Cinemalaya 2016 Awards night held at the Cultural Center of the Philippines. One of the entries that caught my attention right away was Nabubulok by Sonny Calvento. In the story, Luna is missing. Jason Harper, her American husband, is alleged of killing her. As Jason intends to leave the country, circumstances conspire to avert his plan. After reading the synopsis, I immediately got curious about the film and has since been looking forward for it.

Now, this is actually my first time watching a Cinemalaya entry during the festival run itself. Last year, I was able to watch Jason Paul Laxamana's "Mercury is Mine" when the film got extended screenings after the festival due to popular demands. Then, I was able to catch Eduardo Roy Jr.'s "Pamilya Ordinaryo" earlier this year during a screening in UP Cine Adarna. So technically, this is the first time I was able to experience the Cinemalaya festival. And I couldn't be more happy because Nabubulok will be the first ever Cinemalaya movie I will be reviwing during the festival itself.

Sonny Calvento's Nabubulok (2017) centers in a sleepy town in an island in Panay, where a Filipina went missing. But the neighbors didn't need to look far for a suspect. They believed that her American husband killed her. But there was no body. No evidence. No proof. Only speculations. It happened in 2002. It happened in real life. The movie opens with the disappearance of Luna (Sue Prado). When their family's laundress and Luna's cousin Ingrid starts asking the husband, Jason Harper (Billy Ray Gallion) and their son, Paul (Jameson Blake), both are mum and aloof. As if they are hiding something inside their house, which they always kept closed from the curious eyes of outsiders with it's big metal gate. Everyone starts to smell something terrible coming from inside their lot. Soon, she starts becoming suspicious of Jason's actions and becomes convinced that he is responsible for the disappearance of her cousin, fearing that Jason has killed his wife Luna. Soon, the story spreads like wildfire among the neighborhood and the search for Luna begins.

A crime drama based on a true story, Sonny Calvento's Nabubulok feels like a throwback to the 90's heydays when crime movies were a popular genre in the country. But instead of just telling a straight-forward re-telling of the crime itself, he decided to tell a story where we see different versions of the truth and how it changes our own perspective on what's real and what's not. To quote the legendary Robert Evans, "there are three sides to every story; your side, my side, the truth." The story shifts focus from one character to another, telling their own versions of the truth. This is all the information we get from the characters, and the audience is left to build the truth with these pieces of information through our own imagination. This allows for a much more interactive experience as the audience themselves become investigators on their own, trying to deduce the truth behind the disappearance of Luna. The movie plays like a murder mystery where the audience are given clues that at first, feels like it will lead you to something. But then, eventually we discover that most of these are just red herrings, aiming to misguide you and lead you to the wrong direction. Then, there's the satirical take on the governments attitude towards the Americans. But we won't be focusing on that anymore.

Back to the film, it's gritty, disturbing atmosphere is felt from it's first until it's final frame. The movie opens with sounds of something cracking (like bones being broken to pieces) which sets the unsettling mood of the film. The cinematography also adds up to the overall atmosphere of the film. The shaky handheld shots gives the scenes a realistic approach which is reminiscent of Brillante Mendoza's "Ma' Rosa" (2016). With it's darkly lit scenes, even the daylight moments, you'll immediately feel the gloomy and depressing tone of the film. Also, I can't help but notice the color coding of the three acts of the film which reminds me of Chito Rono's "The Healing" (2012). In the first act, as suspicions starts to rise amongs the people around the Harper family, we see the color red in almost every scene, from paint to a design on one character's shirt. I thought it was just a coincidence at first. But then the second act began and the color blue starts to appear everywhere, from the background to the filters of the shots. It's as if it's representing the agitation felt by almost all the characters as we starts to learn more of Luna's secrets. Then, the color yellow splashes all over the final act signifying desperation and hopelessness of the characters. It was actually intriguing and interesting as it adds uniqueness to the way the story escalates from one act to another.

The film's ensemble of actors and actresses also added to the film's strength. Most of the characters here are flawed, just like normal people, and the casts were able properly translate that into the film. Ms. Gina Alajar was really fun to watch as her character Ingrid is driven to the edge with her suspicions and fears about what happened to her cousin. It's a delight to see the very talented JC Santos again on screen after his stint in "Sakaling Hindi Makarating" (2016). Lito Pimentel and Sue Prado were also great additions to the powerhouse cast. But the one that really got my attention was Billy Ray Gallion and Jameson Blake. Billy Ray Gallion's portrayal of Luna's husband Jason Harper was perfect. He is menacing in every scene, adding more reason to suspect him as the film goes along. But then the second act, we see his character's softer side as a father trying to protect his children and we starts to doubt our own suspicions. Jameson Blake has wowed everyone in his first indie stint with last year's 2 Cool 2 Be 4gotten. Here in this movie, though we don't see him in a lot, he still amazes me whenever he is present in the scene. His character don't talk that much, and he is left the challenge of projecting his thoughts and feelings through his eyes and it is very effective. There's something unsettling with the way his eyes projects. It's as if his stares are piercing through you. There's sadness in him, but you'll also  feel the fear and desperation slowly eating him up.



The film ends with a title card stating what happened to the Harper family after the events depicted in the movie. But despite that, the audience are still left wondering: did they actually solved the mystery behind the disappearance of Luna? There's doubt lingering in me long after the credits roll. And until now, I am still curious what really happened to her. This is what makes Sonny Calvento's Nabubulok memorable. Part crime drama/ part satire on the country's status towards the US today, the film is a finely tuned, slow burn true crime story with an effective mystery that sticks with you long after the movie ends. It leaves a bittersweet aftertaste in you, a realization that just like the characters in the story, there is darkness present in everyone of us.

Rating: ✰✰✰✰✰ of 5
Nabubulok (2017)
Directed by Sonny Calvento, starring Gina Alajar, JC Santos, Jameson Blake and Billy Ray Gallion.