Top 12 Best Performances from "Pista Ng Pelikulang Pilipino 2018"

The annual Pista ng Pelikulang Pilipino has finally concluded. Even so, we still can't get over the entries of this year's Pista. Eight original, proudly-Filipino films were shown in all cinemas nationwide from August 15-21, 2018 (though not that exclusively unlike last year). This festival which started last year is a week-long celebration that screens Filipino films exclusively for one (1) week in August in line with the Buwan ng Wika. Organized by the Film Development Council of the Philippines in partnership with all theaters nationwide, the first festival back in 2017 was such a success that it led to another Pista this year.

And after watching all eight entries of this year's Pista, we decided to countdown the Top 12 Best Performances From 'Pista Ng Pelikulang Pilipino 2018'.

12. Edgar Allan Guzman in "Pinay Beauty".

Edgar Allan Guzman is Migs in Jay Abello's comedy drama, who ended up owing a P180K debt that he accumulated to help Annie, his girlfriend of 7 years in a perennial quest of the typical Filipina to look Caucasian. during the film's most emotional moments, he cries to Annie who just realized that the cost of her dream of becoming white is her boyfriend's life. "Mahal kita ng sobra, kaso sobra kang mahal!"

11. Mailes Angelina Kanapi in "Madilim Ang Gabi".

Adolf Alix Jr.'s EJK themed crime drama featured a multitude of celebrity cameos, enough to make Marvel's "Avengers : Infinity War" blush. But the most unforgettable cameo of them all was Mailes Angelina Kanapi (from films like "Matangtubig" and "Patay Na Si Hesus") and her heartbreaking moment in the film as a wife of a Japanese businessman who got kidnapped for ransom.

10. Devon Seron in "Bakwit Boys".

Everyone was stunned after Devon Seron's brilliant performance in Jason Paul Laxamana's romantic musical as she was able to showcase her acting chops and her amazing talent in singing. Her soulful voice was perfect for her character as she played Rose, a city girl who helped the Datul boys achieve their dreams in the film.

9. JC Santos in "The Day After Valentine's".

We got a very different JC Santos in this year's Pista as he plays Kai, a distraught man who's trying to fix his life after his break-up with his girlfriend. Portraying a man struggling with depression in Jason Paul Laxamana's latest tearjerker, he proved that he can take on any role given to time and nail it with flying colors.

8. Nikko Natividad in "Bakwit Boys"

Hashtag's Nikko Natividad surprised us with his impressive performance as the shy yet adorable Datul brother Philip in Jason Paul Laxamana's musical.

7. Erich Gonzales in "We Will Not Die Tonight".

Erich Gonzales shocked everyone with her unexpected turn in Richard Somes’ bloody action thriller. From her believable acting to her heart-stopping stunts, everything was on point.

6. Jameson Blake in "Ang Babaeng Allergic Sa Wifi".

Jameson Blake gives his finest performance to date in Jun Lana’s teen romcom. He will surely break your heart with his portrayal of Aries. He blew us away with that emotional scene as he and his brother reconciled, leading to an unexpected twist.

5. Vance Larena in "Bakwit Boys".

Theater star turned indie actor Vance Larena is absolutely brilliant in his sensitive portrayal of a tough yet caring brother in Jason Paul Laxamana’s musical. He manages to make his character stern but sympathetic, while sweeping audiences' hearts with his rockstar voice.

4. Felix Roco in "Madilim Ang Gabi".

One of the best performances from Adolf Alix Jr.’s crime drama is Felix Roco’s powerful turn as a drug user who is caught in the middle of Duterte’s drug war. You can really feel his emotions just by looking at his eyes. It says it all there.

3. Bela Padilla in "The Day After Valentine's".

Bela Padilla brought everyone to tears in her heart-breaking portrayal of  Lani, a strong, confident woman who seems to have answers to all of life’s most difficult questions. During the film's most gut-wrenching moment, he pleads to Kai to be with her. "I fixed you. Dapat akin ka... Ikaw na lang ang meron ako."
Her performance here cemented her status as one of the best actresses of this generation.

2. Nanding Josef in "Signal Rock" & "Bakwit Boys".

One of the most underrated actors of our industry, Nanding Josef truly deserves all the praise for his outstanding performance in two entries of this year’s Pista ng Pelikulang Pilipino: "Signal Rock" & "Bakwit Boys".

1. Christian Bables in "Signal Rock".

Christian Bables’ magnificent performance in Chito S. Rono’s drama is one of the main reasons why “Signal Rock” is one of the best films of the year. Period.

Movie Review : Mr. & Mrs. Cruz (2018)

After the surprise box-office smash hit of 2017, Kita Kita, director Sigrid Bernardo is back to give us another romance film that will surely give us the feels. Mr. & Mrs. Cruz stars JC Santos and Ryza Cenon as two strangers with similar surnames who cross paths during their soul-searching trip in Palawan. The film is produced by Viva Film who gave us last year's tearjerker, 100 Tula Para Kay Stella, together with Spring Films, the same team behind the movie Kita Kita.

The film follows two strangers, Raffy (JC Santos) and Gela (Ryza Cenon) who flew to Palawan to have some time alone and away from everything else. In a surprising twist of fate, both of them share the same surname: Cruz. This caused an assumption in every people they meet that they are a couple. Eventually, they decided to just pretend that they are a couple and started touring the province together, eventually learning one another's past heartbreaks and getting to know each other. The question is... will they still choose to stay together as Mr. and Mrs. Cruz by the end of their trip?

The film's premise may be a bit familiar to moviegoers as it will remind us of films like That Thing Called Tadhana (2015) or I'm Drunk, I Love you (2017). It features characters travelling around different places in the country as they try to find their-selves while on a road-trip. These road-themed romance films usually features one province, like Sagada (That Thing Called Tadhana) or La Union (I'm Drunk, I Love You) and incorporates the setting into it's story. This movie is no different from these films because the film's setting (Palawan, in this case) also plays a big role in the film's proceedings. Without spoiling anything, most of the movie (except some flashbacks) happened in Palawan-it starts and ends there. The film uses the amazing beauty of Palawan to it's advantage. Every scene is carefully framed and shot to make sure that it will highlight the beauty of the province. The film's shots of the Underground River are truly breathtaking. One can almost feel and taste the clear blue waters of Coron through it's majestic shots. The movie was indeed a great venue to promote the province of Palawan and it's tourist attractions.

The film had some weird moments where the two protagonist suddenly get isolated from the rest of the world. The two characters suddenly being left alone in a boat while cruising the Underground River. The two protagonists dancing while bubbles suddenly flew out of nowhere. As if everyone else around them didn't existed. But aside from these awkward moments, the film was really entertaining and is filled with scenes that will make audiences squeal.

The film's story is quite simple at first, but it gets complicated as we get to know these two characters more. There's more to their story before coming to the island, and this is where the film get's much of it's hugot. These two characters relive each other's past heartbreaks, bringing back all the drama and pain that they've tried so hard to forget. The good thing about this film is that the pain that these characters are experiencing felt so realistic. The actors are very capable in making us believe that these two characters are real humans like us and through them, we can definitely feel that pain. Anyone who has loved before can definitely relate to their characters.

There were some very short moments that admittedly was feeling a bit slow, but they're not that noticeable when looking back at the movie as a whole. The good thing about the movie is that director Sigrid made sure that it takes it's time in building up our two protagonists, Raffy and Gela. Each one's past is slowly revealed through the two character's discussions and conversations. At first, this setup might look boring but JC Santos and Ryza Cenon did a pretty good job in giving life to these characters that we are so hooked to hearing more of their stories and learning more about their lives before. Their self-aware characters were really fun to watch as they deconstruct different concepts of love and marriage and stereotypes of romance and relationships. 

The two of them make for a great pair onscreen. Ryza Cenon was amazing as Gela. This movie was a great way to showcase her acting prowess because her talent was on full display here. In one of the film's most memorable moments inside a bar where the two protagonist are discussing about their pasts while drinking, she shined in her character as she played it with full conviction. JC Santos always impressed me every time I see him in the big screen. From his heartbreaking performance as Fidel in 100 Tula Para Kay Stella last year, he was able to transform into a whole new character with Raffy. He has this great sensibility which aptly matches Ryza Cenon's.

Though not as impactful as director Sigrid's previous effort Kita Kita, the film's ending will still leave a mark in audience's hearts as we watch a fairy-tale come to it's conclusion. The realistic ending borders between sad and hopeful, it's as if the movie is asking us to think what are the possibilities long after the credits roll. It has this lasting effect on you, and it will keep you thinking: what will happen next? 

All in all, the film is as entertaining as it is thought-provoking. It is another great addition to director Sigrid's profile as a director, and a great showcase of talent for it's cast.

Rating: ✰✰✰✰✰  of 5

MMFF 2017 Movie Review : Chris Martinez' "Meant To Beh"

For the first time in forever, here's a Vic Sotto movie that I actually like.

It's that time of the year again for the biggest film festival in the country, the Metro Manila Film Festival. This year, the organizers of the festival reintroduced the controversial "commercial appeal/viability" in it's criteria for the selection of entries which was criticized because it was alleged that the reintroduction of these old rules was made to prioritize box-office success over quality films and to accommodate the big mainstream studios that were mostly left out last year. And so obviously, the past MMFF's box-office royalties that did not make it to last year's festival are also back on the scene, including Vic Sotto. To be honest, I don't really watch a lot of his films. I don't find anything funny about his endless Enteng sequels. I don't really have anything bad against him. It's just that his brand of comedy is not my type. So I had low expectations when I went to see his movie, Meant To Beh during it's Premiere night last December 20, 2017 at SM Megamall. But to my surprise, it turns out that his latest film is his best movie to date.

Screenshots from the trailer

Meant To Beh, directed by Chris Martinez, is Vic Sotto's latest entry to the Metro Manila Film Festival. Distributed and produced by OctoArts Films, M-Zet Productions and APT Entertainment, the film stars Vic Sotto, Dawn Zulueta, JC Santos, Daniel Matsunaga, Sue Ramirez, Gabbi Garcia, Ruru Madrid, Andrea Torres and Baby Baste. Meant To Beh follows the lives of a married couple, Ron (Vic Sotto) and Andrea (Dawn Zulueta), who lives with their three children: Christian (JC Santos), Alex (Gabbi Garcia) and Rylie (Baeby Baste). Unbeknownst to their children, the couple's relationship has been on the rocks for a long time now, and they have been trying their best to keep their family together by staying as a couple. That is until they both decided to finally call it quits and get divorced. As Ron and Andrea try to move on with their separate lives (and separate love interests), their three children decided to take matters into their own hands to bring them back together again. Will they succeed in making their parents realize that the two of them were really meant to be?

The premise of the film isn't really something new anymore. I'm pretty sure there have been quite a few films that have already tackled a similar story. But to the film's credit, their approach to the story made it feel fresh and inspired. The good thing about this film is that it took it's time in introducing us to the Balatbat family. The film did not rushed the story to accommodate product placements and unnecessary cameos. Instead, it focused on giving audiences background to each of the characters, from Ron's view as a husband being the head of the household and being the main source of income of the family, Andrea trying to have a career despite being a mother of three, Christian who is head over heels with a girl (Sue Ramirez) in his campus but can't find the courage to tell his true feelings for her and Alex who is trying to deny the fact that she actually likes this guy (Ruru Madrid) but pretends not to. Unlike most comedy films we get to see during the festival before, this one stands out because it sticks to it's story and builds up to ensure that audiences will root for all of it's main characters. It actually took quite some time before the actual conflict of the films starts, which I felt was the part that got rushed.

Director Chris Martinez is one of the biggest reasons why this movie was a breathe of fresh air from Vic Sotto's past films. Known for his movies like Here Comes the Bride (2010), Temptation Island (2011) and The Gifted (2014), Chris Martinez' brand of comedy is far different from the slapstick comedy that people usually see in Vic Sotto's past films. I don't watch Vic Sotto's movies because I know how he does his films. Therefore, the change of director was a really good decision (Tony Y. Reyes who previously directed the past Enteng Kabisote films was the original director attached to the project, before being replaced by Martinez). Unlike his past films, this movie doesn't feel like another Vic Sotto movie. It removed everything that audiences hated in his past films, most especially those annoying product placements that haunted every scene of his Sotto's films. This movie actually felt like a serious movie, and not an extended commercial ad. Regarding the film's humor, Chris Martinez tried a lot of things to keep the audiences laughing from start until the end of the film. Some worked, some did not. But when the jokes work, they are really funny. Like laugh out loud funny that made everyone cheered inside the theater where we had the screening.

Aside from Chris Martinez' solid direction of the material, another strong aspect of the film is it's very talented cast. Ruru Madrid and Gabii Garcia had some nice moments together, though their story line weren't given enough scenes where they could shine. Daniel Matsunaga still needs to work on his Tagalog accent as it was a bit distracting but he was fine as Dawn Zulueta's lover. Andrea Torres was really fun to watch during those confrontation scenes with Dawn in the film. JC Santos and Sue Ramirez have some spark together, and even though their subplot was short, they made the best out it. Santos was just so adorable in this nerdy role (which reminds me of Fidel from 100 Tula Para Kay Stella). Vic Sotto is still the same Vic Sotto that we've seen in the past Enteng Kabisote films. His acting is still the same. But with his character here in this movie, he is far more relatable than his previous movie roles. I never thought that Dawn Zulueta could do a comedy like this. At first. I couldn't imagine the possibility of her doing comedy. But with Meant To Beh, she was able to transition from her usual drama to comedy and she did it with flying colors.  But the biggest stand-out of the film is none other than Baeby Baste who plays their youngest son. The whole audience in the screening I attended can't help but cheer whenever he cracks a joke. Also, he will definitely melt your heart whenever he tries some dramatic acting. He is oozing with charm and confidence on screen and he definitely stole the show.

To be honest, I still can't believe that the movie that I've watched was a Vic Sotto movie because it did not feel like it was. I guess he was true when he said that this is his first serious film because this was an improvement over his past movies. Though there were some short moments that felt lagging and could have been improved, the whole film itself is quite good. Meant To Beh is an entertaining, family-friendly comedy that is too good to miss.

Rating: ✰✰✰✰1/2  of 5 

"Meant To Beh" (2017) Directed by Chris Martinez, Distributed and produced by OctoArts Films, M-Zet Productions and APT Entertainment, the film stars Vic Sotto, Dawn Zulueta, JC Santos, Daniel Matsunaga, Sue Ramirez, Gabbi Garcia, Ruru Madrid, Andrea Torres and Baby Baste.

Cinemalaya 13 : "Nabubulok" (2017) movie review

Last August 14, 2016, the ten finalists for Cinemalaya 2017 were announced at the Cinemalaya 2016 Awards night held at the Cultural Center of the Philippines. One of the entries that caught my attention right away was Nabubulok by Sonny Calvento. In the story, Luna is missing. Jason Harper, her American husband, is alleged of killing her. As Jason intends to leave the country, circumstances conspire to avert his plan. After reading the synopsis, I immediately got curious about the film and has since been looking forward for it.

Now, this is actually my first time watching a Cinemalaya entry during the festival run itself. Last year, I was able to watch Jason Paul Laxamana's "Mercury is Mine" when the film got extended screenings after the festival due to popular demands. Then, I was able to catch Eduardo Roy Jr.'s "Pamilya Ordinaryo" earlier this year during a screening in UP Cine Adarna. So technically, this is the first time I was able to experience the Cinemalaya festival. And I couldn't be more happy because Nabubulok will be the first ever Cinemalaya movie I will be reviwing during the festival itself.

Sonny Calvento's Nabubulok (2017) centers in a sleepy town in an island in Panay, where a Filipina went missing. But the neighbors didn't need to look far for a suspect. They believed that her American husband killed her. But there was no body. No evidence. No proof. Only speculations. It happened in 2002. It happened in real life. The movie opens with the disappearance of Luna (Sue Prado). When their family's laundress and Luna's cousin Ingrid starts asking the husband, Jason Harper (Billy Ray Gallion) and their son, Paul (Jameson Blake), both are mum and aloof. As if they are hiding something inside their house, which they always kept closed from the curious eyes of outsiders with it's big metal gate. Everyone starts to smell something terrible coming from inside their lot. Soon, she starts becoming suspicious of Jason's actions and becomes convinced that he is responsible for the disappearance of her cousin, fearing that Jason has killed his wife Luna. Soon, the story spreads like wildfire among the neighborhood and the search for Luna begins.

A crime drama based on a true story, Sonny Calvento's Nabubulok feels like a throwback to the 90's heydays when crime movies were a popular genre in the country. But instead of just telling a straight-forward re-telling of the crime itself, he decided to tell a story where we see different versions of the truth and how it changes our own perspective on what's real and what's not. To quote the legendary Robert Evans, "there are three sides to every story; your side, my side, the truth." The story shifts focus from one character to another, telling their own versions of the truth. This is all the information we get from the characters, and the audience is left to build the truth with these pieces of information through our own imagination. This allows for a much more interactive experience as the audience themselves become investigators on their own, trying to deduce the truth behind the disappearance of Luna. The movie plays like a murder mystery where the audience are given clues that at first, feels like it will lead you to something. But then, eventually we discover that most of these are just red herrings, aiming to misguide you and lead you to the wrong direction. Then, there's the satirical take on the governments attitude towards the Americans. But we won't be focusing on that anymore.

Back to the film, it's gritty, disturbing atmosphere is felt from it's first until it's final frame. The movie opens with sounds of something cracking (like bones being broken to pieces) which sets the unsettling mood of the film. The cinematography also adds up to the overall atmosphere of the film. The shaky handheld shots gives the scenes a realistic approach which is reminiscent of Brillante Mendoza's "Ma' Rosa" (2016). With it's darkly lit scenes, even the daylight moments, you'll immediately feel the gloomy and depressing tone of the film. Also, I can't help but notice the color coding of the three acts of the film which reminds me of Chito Rono's "The Healing" (2012). In the first act, as suspicions starts to rise amongs the people around the Harper family, we see the color red in almost every scene, from paint to a design on one character's shirt. I thought it was just a coincidence at first. But then the second act began and the color blue starts to appear everywhere, from the background to the filters of the shots. It's as if it's representing the agitation felt by almost all the characters as we starts to learn more of Luna's secrets. Then, the color yellow splashes all over the final act signifying desperation and hopelessness of the characters. It was actually intriguing and interesting as it adds uniqueness to the way the story escalates from one act to another.

The film's ensemble of actors and actresses also added to the film's strength. Most of the characters here are flawed, just like normal people, and the casts were able properly translate that into the film. Ms. Gina Alajar was really fun to watch as her character Ingrid is driven to the edge with her suspicions and fears about what happened to her cousin. It's a delight to see the very talented JC Santos again on screen after his stint in "Sakaling Hindi Makarating" (2016). Lito Pimentel and Sue Prado were also great additions to the powerhouse cast. But the one that really got my attention was Billy Ray Gallion and Jameson Blake. Billy Ray Gallion's portrayal of Luna's husband Jason Harper was perfect. He is menacing in every scene, adding more reason to suspect him as the film goes along. But then the second act, we see his character's softer side as a father trying to protect his children and we starts to doubt our own suspicions. Jameson Blake has wowed everyone in his first indie stint with last year's 2 Cool 2 Be 4gotten. Here in this movie, though we don't see him in a lot, he still amazes me whenever he is present in the scene. His character don't talk that much, and he is left the challenge of projecting his thoughts and feelings through his eyes and it is very effective. There's something unsettling with the way his eyes projects. It's as if his stares are piercing through you. There's sadness in him, but you'll also  feel the fear and desperation slowly eating him up.



The film ends with a title card stating what happened to the Harper family after the events depicted in the movie. But despite that, the audience are still left wondering: did they actually solved the mystery behind the disappearance of Luna? There's doubt lingering in me long after the credits roll. And until now, I am still curious what really happened to her. This is what makes Sonny Calvento's Nabubulok memorable. Part crime drama/ part satire on the country's status towards the US today, the film is a finely tuned, slow burn true crime story with an effective mystery that sticks with you long after the movie ends. It leaves a bittersweet aftertaste in you, a realization that just like the characters in the story, there is darkness present in everyone of us.

Rating: ✰✰✰✰✰ of 5
Nabubulok (2017)
Directed by Sonny Calvento, starring Gina Alajar, JC Santos, Jameson Blake and Billy Ray Gallion.